À La Carte - Euro Girl Group

 (updated January 6)


In 1978 two then little-known German producers - a married couple Tony Hendrik and Karin Hartmann, employed by Hansa International (sub-label of Ariola-Eurodisc), developed the project of a female pop group. These girl-groups were especially popular in Europe in the late 70s.  Among others those included Arabesque (Germany), Baccara (Spain), Maywood and Luv (both from the Netherlands).

The first single of A La Carte "When The Boys Come Home" (Ariola/Hansa 100 478-100) was released in March 1979. The song, performed by three attractive girls from London: Patsy Fuller, Julia and Elaine, gained popularity and the group was invited to the famous German TV-show "Musikladen" ("Music Shop"). The single had good sales, and in October a second catchy single was released "Doctor, Doctor (Help Me Please)" (Ariola/Hansa 101 080-100), with a new line-up: Patsy Fuller, Jeanny Renshaw, Denise Distelle. After that nobody dared to deny their reputation as the best dance girl-band. In 1980 one more replacement occurs: instead of Denise Distelle came Katie Humble. In March 1980 this line-up a launched new single - a cover of Manfred Mann's 60s super-hit "Do Wah Diddy Diddy" (Ariola/Hansa 101 677-100), in a short time followed by their first album - "Do Wah Diddy Diddy Round" (LP: Ariola/Hansa/Coconut 202 143-320).
The next single of A La Carte - "Ring Me, Honey" (Ariola/Hansa 102 429-100), was released in September 1980.
In January 1981, after a change of two members, Jeanny Renshaw, Linda Daniels and Joy Martin released the new single "You Get Me On The Run" (Ariola/Hansa/Coconut 102 871-100). The lead vocals in the song were of Jeanny and Joy. The third girl, Linda Daniels, was needed only for the "phantom" presence of the third singer, the recent Denise Distelle. Then were issued 3 singles and the next album called "Viva" (LP: Ariola/Hansa/Coconut). "In the Summer Sun Of Greece" was released on a single (Ariola/Hansa/Coconut 104 263-100) in April 1982 and its front cover shows one more change in the line-up: Kati Humble's comeback instead of the blue-eyed blonde Linda Daniels. This line-up existed until the group's splitting.

In July 1982 they released the single "Aha Tamoure" (Ariola/Hansa/Coconut 104 569-100) and the group's activity was summed up on the first compilation - "The Wonderful Hits Of A La Carte" (LP: Ariola/Hansa/Coconut 204 935-302). This album included nearly all the hits of A La Carte: "When The Boys Come Home", "In The Summer Sun Of Greece", "Do Wah Diddy Diddy", "Aha Tamoure", "Viva Torero" and others.
In January 1983 was released the single called "Radio" (Ariola/Hansa/Coconut 104 918-100). The two new songs were never issued on any LPs.
The next album of the group "Rockin' Oldies" (Ariola/Hansa/Coconut 205 743-320) and new single "On The Top Old Smokie" (Ariola/Hansa/Coconut 105 802-100) were released at the same time in September 1983. In 1984, the group launched the next single "Jimme Gimme Reggae" (Ariola/Hansa/Coconut). The title song was a new version of the one from the first album, and a completely new song - "Lightyears Away From Home" was on the back side.
After that, A La Carte disappeared from the scene. Probably, it was the result of the birth of the new "lovely child" of their producers, Karin Hartmann and Tony Hendrik, the male trio Bad Boys Blue, launched in 1984 with "L.O.V.E. In My Car ". But maybe also because of decreasing demand in the music market for female acts and a corresponding increase for male ones. The attractive girl-groups were getting competition from male duos and trios like Modern Talking, Joy, London Boys, Silent Circle, Pet Shop Boys...



[This article is based on a defunct old GeoCities website in order to keep the information alive. The credits given were:
Original Russian text by Alex (Invisible Man), with assistance of Marc Wiese.
2004-2005 English translation by L.D.]

Link:
The World Of A La Carte
               

LINK:

BOBBY CURTOLA singles discography

(Updated Nov.21, 2012)

 

Canadian 1960s singles, produced by Basil and Dyer Hurdon.
Tartan label
1001 Hand In Hand / Johnny Take Your Time
               with the Don Trio                                                      1960                   
1002 My Love / Ever Near You
1003 You Must Belong To Me / Deeper and Deeper                1961
1004 Call Me Baby / It Started When You Stopped To Say Hello   + the Dons
1005 Don't You Sweetheart Me / My Heart's Tongue-tied
1006 I'll Never Be Alone Again / Hi-Tone   w Anita Kerr Singers
1007 Hitchhiker / My Love (rerecording)
1008 Fortune Teller / Johnny Take Your Time (rerecording)
1009 You Must Belong To Me (rerecording) / Nothing's the Same
               As Before                                                               1962
1010 I Cry and Cry / Big Time Spender
1011 Aladdin / I Don't Want To Go On Without You
1012 My Christmas Tree / Jingle Bells
1013 Destination Love / Don't Stop Dreaming Of Me             1963
1014 Gypsy Heart / I'm Sorry
1015 Indian Giver / Hand In Hand (rerecording)
1016 Three Rows Over / Dream Wishes
1018 Move Over / They Say
1019 Little Girl Blue / How'm I Gonna Tell You                      1964
1020 ? Little Girl Blue / You're Not A Goody Goody
1021 You're Not a Goody Goody / Far Away Heart
1022 As Long As I'm Sure Of You / I'd Do Anything For You
1024 Come Home Little Girl / Many Moons Ago
1025 Alone and Lonely / You'll Be Falling In Love                  1965
1026 It's About Time / Paper Heart
1027 Mean Woman Blues / Devil May Care Angel
1028 Walking With My Angel / Midnight
1029 Making Love / Donna
1030 Forget Her / If All Goes Well
1031 While I'm Away / Not Til Now                                      1966
1032 The Real Thing / Suddenly You Came Along
1033 Wildwood Days / Without Your Love
1034 It's Not Funny Honey / Tattletale Heart
1035 Devil Lips (Kisses Of Fire) / Give Me a Reason
                        To Stay                                                          1967
1036 Quando Quando / If All Goes Well
1040 Footsteps / What Can I Do
1041 Sandy / Indian Love Call
1043 Pretty Blue Eyes / Taking A Picture                             1968
1044 Can't Help Falling In Love / Step By Step
1045 Unless You Care / Taking A Picture
1045a Mammy Blue / Free To Carry On

 Tartan 54039 Have You Ever Really Been There / Lady With the Rose   ?


With 1006 they started recording in Nashville, with Bill Justis arranging.

Highlighted titles are linked to online samples.

Omitted numbers are mainly by other artists.
I'm not sure about 1020 and 54039.
1020 - I've seen a listing for these sides, with inaccurate number. I'm guessing 1020. I can't explain this one.

Songs I'd like to hear at the moment include:  It's Not Funny Honey, Step By Step and the first recordings of Johnny Take Your Time, My Love, You Must Belong To Me.


Basil Hurdon and Dyer Hurdon - songwriters and managers at Tartan Records of Canada:

Teresa Brewer - early recordings

(updated April 23, 2013)

How her recording career started.
Her birth name was Theresa Breuer, her parents being German. They lived in Toledo, Ohio, USA. Birth date May 7, 1931 (a girl:).
She quit school at the age of 16 in early 1948, and zipped off to New York for professional singing engagements, accompanied by her aunt. She was a hit in clubs as in the Latin Quarter. Soon an agent offered his service.
At age 17 she was already married, to Bill Monahan.
In 1949 London Records, based in England, noticed and signed her.
It took two unsuccessful singles before she hit with Music Music Music. 1949 into 1950 it became a #1 international million seller, while she was 18.
Her permanent residence was just north of New York City, and she worked out of New York.

The singles I know of on London, with Billboard US chart positions and 78 numbers, were:
1949- When the Train Came In / A Man Wrote a Song (511)
- (duets with Bobby Wayne) Copper Canyon / Way Back Home (562)
- I Beeped When I Shoulda Bopped / Old Man Mose (563)
1950- Music M.M. (#1) / Copenhagen (604)
- Choo'n Gum (#17) / Honky Tonkin' (678)
- Punky Punkin' / Cincinnatti Dancing Pig (768)
- Molasses Molasses / Grizzly Bear (794)
- You've Got Me Crying Again / He Can Come Back Any Time He Wants To .... (795)
1951- The Thing (#20) / I Guess I'll Have To Dream The Rest  (873)
- If You Want Some Lovin' / I've Got the Craziest Feeling (967)
- Oceana Roll / The Wang Wang Blues (1083)
- If You Don't Marry Me / I Wish I Wuz (1085)
- Longing For You (#23) / Jazz Me Blues (1086)

Coral early singles:
1951- 1. Sing Sing Sing / I Don't Care
1952- 2. Lovin' Machine / Noodlin' Rag
- 3. Gonna Get Along Without Ya Now (#25) / Roll Them Roly Boly Eyes
- Til I Waltz Again With You (#1)
1953 - Dancing With Someone (Longing For You) (#17)
- Baby Baby Baby / I Guess It Was You All The Time (solo version) _ _ (from her movie Those Redheads From Seattle)
- a 1953 reissue single #65520 of Music Music Music (Coral rerecording) / Gonna Get Along wo Ya Now

Highlighted song titles are linked to online samples.
There were other singles where she sang in duets and groups.


Musical film shorts

Teresa filmed seven numbers in 1951. The songs were Music Music Music, Ol' Man Mose, If You Want Some Lovin', I'm the Lonesomest Gal In Town, Copenhagen, I've Got the Craziest Feeling, Honky Tonkin'. They were shot on 16mm film in Los Angeles for use as filler on television stations, and many other singers did the same. They were called the Snader Telescriptions, and were backed by the Firehouse Five Plus 2 band or The Dixieland Allstars. She was still on the London label at the time, aged 19.

------ ------

I have some questions and observations on these. It is said that these were all recorded live. However Ol' Man Mose sounds exactly like her 1949 recording.
The backing group in the Craziest Feeling film is the Dixieland Allstars with Jack Pleis on piano, an arranger for record labels.


Music! Music! Music! - alternate masters:

It seems the hit of Music was processed and mastered at the time to change the sound.
In 1976 London Records reissued 12 songs on the "World Of Teresa Brewer" LP. It has a London recording of Music that's about 20 seconds shorter with a different tone. Maybe they wanted to lower the pitch of the voice by slowing it down. I don't think they had tape at the time, so I don't know the method. The original master was apparently preserved by London and reissued here. Did they realize which edit they were reissuing? In other words the hit issue was slower and longer than what Teresa recorded. Or conversely, did Teresa want to speed up the song in the reissue?

Music! Music! Music! - master from World LP













Child performer

Teresa first performed on a local radio show at age two, singing Take Me Out To the Ball Game. Then from age 7 to 12 she was a regular with the Major Bowes Amateur show on radio and on tour. From age twelve she was a regular on the local Toledo radio show Pic and Pat. Later she had her own radio show there - something we need more information about. So she was no novice when she hit New York at age 16.
Press here to hear her singing on Major Bowes: Darktown Strutters' Ball
This is found on the DVD The Original Amateur Hour hosted by Pat Boone.


Teresa's high school Yearbook entry 1947-48

Publicity photo in New York probably 1948.

 








Performing in a club in the early years, probably The Latin Quarter.








Teresa's home after marriage, in New Rochelle north of New York city.



Teresa in the mid-50s in a rare cheesecake pose (sometime before hair permanents).

 Click here to link from this thumbnail sample to the full-size source at Getty Images.




Please comment if you have further knowledge.

Reference:
her fan site is at teresafans.org

Elvis Presley - The Rise and Decline and Comeback

(updated November 21, 2009)

In his hit period with RCA I see three phases. First before and during the army. Second from his army return to 1968. Third from his 1969 comeback til his supposed death in 1977.
What I call the decline started after 1965 and lasted til his comeback Christmas TV special in December 1968.
So there are two ways of looking at this - one by his 3 periods, and secondly by the ups and downs.

His first period 1956 - 1959 was the raucous rockabilly, using his instrumental trio as backup. When he was drafted in 1958 RCA picked as many songs as they could for him to record and release while away. These were not the best songs, but kept him afloat, and were collected on his second Golden Hits LP. They ran out of these hit singles by summer 1959 and he was not on the charts until his return in April 1960.

The second phase 1960 -1968.
In Europe he learned some classic European songs like O Sole Mio, and probably matured. On his return he asked the songwriters to adapt some of these for him. So O Sole Mio became It's Now Or Never, Torne a Sorrento became Surrender. Wooden Heart was from a German song.
No time was wasted when he returned. A couple of the songs debuted on the Top 40 immediately at #1. A couple others took a whole two weeks to reach #1.
Well the power of 1960 didn't quite continue in full force. I'd say he continued to have great original hits til the end of 1962 with "She's Not You". But even by 1961 they dropped to the level of "Feel So Bad", and people could sense this.
They were now using fuller arrangements at the Nashville scene. I suspect Boots Randolph was adding those great sax bits in the background, and maybe Floyd Cramer was in piano. These were his greatest productions, based on songs of the greatest writers like Doc Pomus and Mort Shuman.
There were four great regular albums (non-movie) between 1960 and 1965 - Elvis Is Back, Something For Everybody, Potluck, and Elvis For Everyone.
By 1963 his singles started to lack that great originality, tho they were still fine - Return To Sender, One Broken Heart For Sale, Bossa Nova Baby ...
Now they fell back on recycling some previously recorded album songs like Such An Easy Question (from Potluck).
By now his last #1 was Good Luck Charm in 1962. In 1963 he had some top 10s, in 1964 no top tens. In 1965 came his last top 10 until 1969 - Crying In the Chapel at #3 (Billboard). There would be no more #1s until Suspicious Minds in 1969.
In an interview around 1970 Elvis said there was a problem finding great new rock&roll songs by then. RCA started wasting our time with singles like Puppet On a String, Love Letters, and Indescribably Blue. So 1966 - 1968 was the decline. They tried some rockers which were not good enough: Big Boss Man, US Male, Long-Legged Girl, Guitar Man, A Little Less Conversation. They hardly made the Top 40.
But there were also some gems in that period: You'll Be Mine, Judy, Come What May, Tell Me Why ... which deserve attention.

The Comeback Special
So in 1968 Colonel Parker arranged a TV special. Instead of a Christmas theme, Elvis succeeded in making it a general rock&roll theme. He harked back to his early days, rocked in black leather, and had his original trio back.
The following singles were then geared to a new style, fitting the hippie era. There were the liberal themes decrying Negro poverty. Songs like In the Getto and Don't Cry Daddy probably caused the Detroit black riots, because they stirred up the feelings of guilt or bitterness. The music was not the same as the earlier era either.
I call this his third phase, and I relate it to the Second era of rock&roll. The first era was late 50s/early 60s. The second era being late 60s/early 70s. You know how it goes. Second era people don't recognize any music before the Beatles. Oldies start with the Beatles and Supremes, nothing earlier even exists.
So Elvis continued in this vein til 1977.
By the way I don't believe he died at that time. But it sounds like he died maybe a couple years ago. There was talk of Priscilla being left out of the inheritance.

Record-Rama Archives

(updated June 2, 2009)

Record-Rama has been a record store in Pittsburg USA for a few decades. The proprietor Paul Mawhinney has collected the largest vinyl record archive in the world. Now the store is closed and he is trying to sell that archive.
He wants to sell it as a whole collection and wants it preserved that way. His minimum price is $3 million. I say it's worth it. 1.5 million 45s dating from 1948, and a million LPs. This is not store stock, but saved copies of every record he ever dealt with. His aim was to have every single by every artist, and he published his list in his MusicMaster catalog. It probably contains every release by any favorite artist you can think of.
I think the best use would be to make the records accessible to reissue companies and to broadcasters so that anything could be made available to listeners.
He is at the same time clearing out what remains of his store stock. That is arranged thru his website and is a big-time proposition involving a minimum $5,000 purchase.
His store was a mecca for collectors of obscure rare vinyl, and I hope this music will be preserved.



A video on this can be seen at the Vimeo site:


The Archive from Sean Dunne on Vimeo.


The first edition of the MusicMaster catalog in 1982 came in two volumes, one by title and one by artist. It illustrates what he had in the archive at that time. Click to view larger.




Mawhinney's website is recordrama.com.

The Great Clyde McPhatter

(Updated January 1, 2012)

Clyde's biggest pop hits were Lover's Question and Lover Please. He started as a lead singer in The Dominoes in the early 1950s, and then had his own Drifters group in 1954-55 on the Atlantic label. That made him huge. In 1955 after an army stint he went solo and stayed that way up to the 1970s, when he died in 1972.
My interest is his solo work. He was on Atlantic in the late 50s, MGM in 59-60, Mercury 1960-65, and smaller labels after that when his success faded.
His music had a glorious joy to it, and infectious melody and beat. A high tenor, he influenced many other such negro singers like Jackie Wilson and Dee Clark.
There are some good reissue CDs now which I can recommend. For Atlantic, "Deep Sea Ball". For MGM and Mercury there is "Rockin' and Boppin'" on the Ring Of Stars label, available at Continental Records (gocontinental.com). At his wikipedia article there is an extensive list of his hits and singles.

Here is a 1962 single picture cover. It was sold recently by Times Square Records of New York and included the news clip of Clyde's death in 1972. Click the image to see it larger.


You won't find all his good stuff by any means, so here are some highlights which may be rare. Press a title to listen.

Atlantic label:
Thirty Days - 1956 - his fourth solo single, a rocker.
Come What May - 1958 - what a joyful rendition. Recorded by Elvis in 1965.
Lovey Dovey - 1959 - the Clovers song, in a definitive uptempo style, later copied by Buddy Knox.
Deep Sea Ball - 1960 - a nonhit single after he had left Atlantic. In fact recorded in 1958 obviously inspired by Rockin Robin, written by Winfield Scott.

MGM:
Think Me A Kiss - 1960 - medium hit
Whisper Softly
The Glory Of Love
This Is Not Goodbye

Mercury:
Ta Ta (Just Like a Baby) - 1960 hit. Not remembered as much, maybe because the title TaTa means little, so I add the brackets to remind of the words. Written by Clyde and not intended as the hit side, it's a winner.
I'll Love You Til the Cows Come Home -1961 nonhit. A neat R&B composition. Flip of "Tomorrow Is a-Comin", which I think was meant as the A-side.
I Never Knew - 1961 #17 R&B, #56 Pop.
Happiness - The type of song that to me defines Clyde. Flip of "I Never Knew".
Deep In the Heart Of Harlem - 1964 moderate hit.
Happy Good Times - Flip of the Harlem single.
Three Rooms With Running Water - I think the second best song on his "Songs Of the Big City" album of 1964. It would have been a good choice for a single.
Baby Baby - 1964 single, from his album Live At The Apollo. This mono sounds better than the album stereo, where his voice in the middle is overpowered by the instruments on both sides. A rare nonhit single, his second-last on Mercury.


CLYDE SOUNDALIKES

The second incarnation of The Drifters, 1955-59 without Clyde, often tried to use soundalike singers to recapture the McPhatter sound. There was David Baughan in 1954-55. There was Bobby Hendricks in 1958, singing on Drip Drop. In 1959 on the hit "(If You Cry) True Love True Love", everyone must have thought that lead Johnny Lee Williams was Clyde. If you can point out others make a comment. There were also separate individual singers. Listen to the comparisons:

Honey Bee - Drifters with David Baughan. Recorded ~1954 but released in 1961 on the back of Some Kind Of Wonderful.
(If You Cry) True Love True Love - Drifters with Johnny Lee Williams
Drip Drop - Drifters with Bobby Hendricks. #58 pop, uncharted R&B.
Itchy Twitchy Feeling - Bobby Hendricks 1958 solo hit after parting with The Drifters
Just Keep It Up - 1959 solo hit by Dee Clark


Brook Benton's influenceBrook wrote Lover's Question. When Clyde started with Mercury he recorded some more of Brook's compositions. Here are a couple of obscure originals by Brook that you can compare with Clyde's. I have no evidence that Brook released these, maybe he sang them as demonstration discs. Will it surprise you to hear Brook singing Lover's Question?

Lover's Question by Brook
You're For Me by Brook
You're For Me - Clyde's recording as an unsuccessful followup to Ta Ta. The flip was also written by Brook - I Just Want To Love You.

Clyde Otis was usually Brook's co-writer.
Jimmy Oliver had been the guitarist for The Drifters and Clyde for a few years. In 1960 he and Clyde collaborated writing Ta Ta and some other songs for that album.
Belford Hendricks was the arranger for many of these Mercury R&B records including Benton's. He was so good at arranging those strings, and adjusting them for an R&B sound. Check the sliding strings sound in Brook's Kiddio. In fact I've decided to give it to ya rat now, because it cries out for illustration. Blacks went crazy for it in mid-1960. It was US Billboard pop #7, and R&B #1 for nine weeks. Written by Benton and Otis. Check out the duet hits by Brook and Dinah Washington as other excellent examples - Baby You've Got What It Takes, and Rockin Good Way. There, that saves me from writing a separate article.

Kiddio by Brook Benton


ALBUMS

This Atlantic Hits LP was released in 1963 after his Lover Please success. One side is his Drifters songs, the other solo.



MGM tried to cash in with a "Greatest Hits" LP too, all their own recordings. I've only ever come across this one copy.

His first album on MGM in 1959 was "Let's Start Over Again", containing only ballads and no hits. (click an image to see it larger)












You'll never find it and it won't be reissued, so here's a link to the complete ALBUM.


The 1963 Mercury Greatest Hits LP contained only Mercury recordings, but some were rerecordings of his 50s hits. Not all of these were hits of course.


Following a Ta Ta album in 1960, Mercury released an album a year including Lover Please in 1962. Golden Blues Hits (1961) was full of GREAT renditions of other hits. The little known Rhythm and Soul LP of 1963 included some unsuccessful singles at the time, and had a harder edge.



Samples:
Raining In My Heart
Honest I Do

Here's a link to the complete Golden Blues album.






Sample:
Hey Love

Link to the complete ALBUM







Lover Please LP . . . . . Live At The Apollo













Songs Of The Big City - 1964

Here's a link to sample the ENTIRE ALBUM.


May I Sing For You was a 1962 Wing label LP mostly ballads.










Link to complete ALBUM





After Mercury he recorded a couple years on the Amy label, and that is on a CD titled "A Shot of Rhythm and Blues". Then he spent three years living in England, creating a following in the "northern soul" scene, which was the northeast section of England.
Returning to the US, Decca records produced an album titled "Welcome Home" and two singles, which were not successful. You may never find that so here is some material.

Samples of the singles:
I'll Belong To You
Why Can't We Get Together
Here's a link to hear the other 10 songs of the COMPLETE ALBUM.

To see an image larger click on it.


Clyde's son
Clyde had a son with Ruth Brown out of wedlock. He is now known and performing himself as Ron McPhatter. His website is at myheartentertainment.com.

Al Caiola and his Big Guitar

(Updated August 12, 2011)

Al Caiola is the pop guitarist who made hits of The Magnificent Seven and Bonanza themes in 1961. He had large orchestral backing from the United Artists label, and he adopted the style of Duane Eddy at the time - a twangy bass lead guitar sound. He was with UA thruout the 60s, releasing loads of records besides his hits. There was an import CD available from Australia at amazon titled "Bonanza - 1960-1969", which I can recommend.
It's another one of those situations where you'll never find all his good stuff reissued. Here is a complete list of his UA singles for the record. Highlighted titles have audio samples.


The Magnificent Seven / The Lonely Rebel _ _ _ 1960
Bonanza / Bounty Hunter - - - - - - - - - - - - - - - -- 1961
Autumn In Cheyenne / Speak Low
Rollerama / Stampede - - - - - - - - - - - - - - - - - - - 1962
Experiment In Terror / Sergeants 3 March
Katusha / Love Is Like Champagne
Guitar Boogie / Kalinka - - - - - - - - - - - - - - - - - - - 1963
Mexicali Rose
Gunsmoke / Ciao
Guns Of Navarone / James Bond Theme
Women Of The World (La Donna Nel Mondo) - - - - - - -
- - - - -/ Redigo
Burke's Law Theme / Smoke Signal
From Russia With Love / Mexican Summer - - - - - 1964
The World Of the Brothers Grimm .........................
....../ Baby Elephant Walk
On the Trail / Wheels West
Tuff Guitar / Hound Dog
Bash Brannigan / Hunky Funky ...........................1965
Ring Of Fire / Gabrielle
Glory Guys / Forget Domani
The Trials Of O'Brien / Walking Down the Line
Batman Theme / Karelia ......................................1966
Duel At Diablo / Sugar Me Sweet
Hill Country Theme .............................................
...../ Stay Awhile (Quedato Un Rato Mas0
Return Of the Seven / Rat Patrol
Eight On the Lam / Sailor From Gibraltar ...............1967
Tiny Bubbles / Stag Or Drag
Never Pick Up a Stranger / Sleepwalk
Bossa Nova Noel / Holiday On Skiis .............................
.......(with Riz Ortolani)
Here Is Where I Belong / Sound Of Music ..............1968
Scalphunters Theme / Theme For November
High Chaparral / Master Jack .................................1969
Infinity Blue / Soul American
Stiletto / Guitar Woman .........................................1969


There are some singles here that I'd still like to add to my collection.



Samples: Jezebel, Two Guitars, Big Guitar




Samples: Tall Man, Gunslinger, The Deputy



See his wikipedia article for a list of his albums.